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Artaud S Theatre Of Cruelty


Author : Albert Bermel
language : en
Publisher: Bloomsbury Publishing
Release Date : 2014-05-20


Download Artaud S Theatre Of Cruelty written by Albert Bermel and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-05-20 with Literary Criticism categories.


The definitive guide to the life and work of Antonin Artaud Antonin Artaud's theatre of cruelty is one of the most vital forces in world theatre, yet the concept is one of the most frequently misunderstood. In this incisive study, Albert Bermel looks closely at Artaud's work as a playwright, director, actor, designer, producer and critic, and provides a fresh insight into his ideas, innovations and, above all, his writings. Tracing the theatre of cruelty's origins in earlier dramatic conventions, tribal rituals of cleansing, transfiguration and exaltation, and in related arts such as film and dance, Bermel examines each of Artaud's six plays for form and meaning, as well as surveying the application of Artaud's theories and techniques to the international theatre of recent years.

Artaud S Theatre Of Cruelty


Author : Albert Bermel
language : en
Publisher: Bloomsbury Publishing
Release Date : 2014-05-20


Download Artaud S Theatre Of Cruelty written by Albert Bermel and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-05-20 with Literary Criticism categories.


The definitive guide to the life and work of Antonin Artaud Antonin Artaud's theatre of cruelty is one of the most vital forces in world theatre, yet the concept is one of the most frequently misunderstood. In this incisive study, Albert Bermel looks closely at Artaud's work as a playwright, director, actor, designer, producer and critic, and provides a fresh insight into his ideas, innovations and, above all, his writings. Tracing the theatre of cruelty's origins in earlier dramatic conventions, tribal rituals of cleansing, transfiguration and exaltation, and in related arts such as film and dance, Bermel examines each of Artaud's six plays for form and meaning, as well as surveying the application of Artaud's theories and techniques to the international theatre of recent years.

Artaud S Theatre Of Cruelty


Author : Albert Bermel
language : en
Publisher: Bloomsbury Methuen Drama
Release Date : 2001-06-28


Download Artaud S Theatre Of Cruelty written by Albert Bermel and has been published by Bloomsbury Methuen Drama this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-06-28 with Drama categories.


The definitive guide to the life and work of Antonin Artaud Antonin Artaud's theatre of cruelty is one of the most vital forces in world theatre, yet the concept is one of the most frequently misunderstood. In this incisive study, Albert Bermel looks closely at Artaud's work as a playwright, director, actor, designer, producer and critic, and provides a fresh insight into his ideas, innovations and, above all, his writings. Tracing the theatre of cruelty's origins in earlier dramatic conventions, tribal rituals of cleansing, transfiguration and exaltation, and in related arts such as film and dance, Bermel examines each of Artaud's six plays for form and meaning, as well as surveying the application of Artaud's theories and techniques to the international theatre of recent years.

Cruelty And Desire In The Modern Theater


Author : Laurens De Vos
language : en
Publisher: Fairleigh Dickinson
Release Date : 2011-04-18


Download Cruelty And Desire In The Modern Theater written by Laurens De Vos and has been published by Fairleigh Dickinson this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-04-18 with Performing Arts categories.


Departing from a refreshing look at the ideas of Antonin Artaud, this book provides a thorough analysis of how both Sarah Kane and Samuel Beckett are indebted to his legacy. In juxtaposing these playwrights, De Vos minutely points out how both in their own way struggle with coming to terms with Artaud. A key concept in Lacanian psychoanalytic theories, desire lies at the root of the Theatre of Cruelty; Kane and Beckett prove that desire and cruelty are inextricably linked to one another, but that they appear in radically different disguises. Relying on Kane and Beckett, this book not only sheds a light on the precise intentions behind Artaud's project, it also maps out the structural parallels and dichotomies between the Theatre of Cruelty and the literary genre of tragedy. Immediately after the premiere of Sarah Kane's Blasted in 1995, some reviewers made a link with Antonin Artaud's Theatre of Cruelty. These parallels, however, were solely based on the abundance of physical violence on stage. In response to these assertions, this book traces minutely Artaud's legacy for later generations. Making use of Jacques Lacan's psychoanalytical ideas as a theoretical framework, De Vos defines Artaud's project not so much in terms of blood and goriness, but rather as a theater of Passion, revolving around notions as desire, love and the subjectile, a concept that was drawn attention to by Derrida. In addition, the idea of the scapegoat delineated by RenZ Girard provides a leg-up to clarify the intrinsic parallels as well as divergences between the Theatre of Cruelty and tragedy, while also Lacan's analysis of Antigone is being looked at. Phaedra's Love, Cleansed and 4.48 Psychosis are extensively dealt with in this study, and point out the development Kane went through in her short but at the same time long trajectory. The third part on Beckett focuses primarily on Krapp's Last Tape and Not I, and equally so calls in Lacan to understand self-alienation and self-conceptualization in its relation to Artaud's Theatre of Cruelty. This book will be of use to anyone interested in contemporary theater or in the field of psychoanalysis made applicable in the arts.

The Theater And Its Double


Author : Antonin Artaud
language : en
Publisher: Grove Press
Release Date : 1958


Download The Theater And Its Double written by Antonin Artaud and has been published by Grove Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1958 with Drama categories.


A collection of manifestos originally published in 1938, in which the French artist and philosopher attacks conventional assumptions about the drama, and calls for the influx of irrational material - based on dreams, religion, and emotion - in order to make the theater vital for modern audiences.

Artaud And His Doubles


Author : Kimberly Jannarone
language : en
Publisher: University of Michigan Press
Release Date : 2012-06-26


Download Artaud And His Doubles written by Kimberly Jannarone and has been published by University of Michigan Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-06-26 with Literary Criticism categories.


DIVA radical re-thinking of one of the most canonized figures in theater history, theory, and practice/div

Theatre Of Cruelty


Author : Frederic P. Miller
language : en
Publisher:
Release Date : 2010-07-29


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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. The Theatre of Cruelty is a concept in Antonin Artaud's book The Theatre and its Double. "Without an element of cruelty at the root of every spectacle, the theatre is not possible. In our present state of degeneration it is through the skin that metaphysics must be made to re-enter our minds" (Artaud, The Theatre and its Double). By cruelty, he meant not sadism or causing pain, but rather a violent, austere, physical determination to shatter the false reality which, he said, lies like a shroud over our perceptions. Antonin Artaud spoke of cruelty not in the sense of being violent, but the cruelty it takes for actors to completely strip away their masks and show an audience a truth that they do not want to see. He believed that text had been a tyrant over meaning, and advocated, instead, for a theatre made up of a unique language that lay halfway between thought and gesture. Artaud described the spiritual in physical terms, and believed that all expression is physical expression in space.