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Modern Art Invasion


Author : Elizabeth Lunday
language : en
Publisher: Rowman & Littlefield
Release Date : 2013-09-27


Download Modern Art Invasion written by Elizabeth Lunday and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-09-27 with Art categories.


The story of the most important art show in U.S. history. Held at Manhattan’s 69th Regiment Armory in 1913, the show brought modernism to America in an unprecedented display of 1300 works by artists including Picasso, Matisse, and Duchamp, A quarter of a million Americans visited the show; most couldn’t make sense of what they were seeing. Newspaper critics questioned the artists’ sanity. A popular rumor held that the real creator of one abstract canvas was a donkey with its tail dipped in paint. The Armory Show went on to Boston and Chicago and its effects spread across the country. American artists embraced a new spirit of experimentation as conservative art institutions lost all influence. New modern art galleries opened to serve collectors interested in buying the most progressive works. Over time, the stage was set for American revolutionaries such as Jackson Pollock, Mark Rothko, Roy Lichtenstein, and Andy Warhol. Today, when museums of modern and contemporary art dot the nation and New York reigns as art capital of the universe, we live in a world created by the Armory Show. Elizabeth Lunday, author of the breakout hit Secret Lives of Great Artists, tells the story of the exhibition from the perspectives of organizers, contributors, viewers, and critics. Brimming with fascinating and surprising details, the book takes a fast-paced tour of life in America and Europe, peering into Gertrude Stein’s famous Paris salon, sitting in at the fabulous parties of New York socialites, and elbowing through the crowds at the Armory itself.

A Social History Of Modern Art Volume 2


Author : Albert Boime
language : en
Publisher: University of Chicago Press
Release Date : 1993-05-15


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In this second volume, Albert Boime continues his work on the social history of Western art in the Modern epoch. This volume offers a major critique and revisionist interpretation of Western European culture, history, and society from Napoleon's seizure of power to 1815. Boime argues that Napoleon manipulated the production of images, as well as information generally, in order to maintain his political hegemony. He examines the works of French painters such as Jacques-Louis David and Jean Auguste Dominique Ingres, to illustrate how the art of the time helped to further the emperor's propagandistic goals. He also explores the work of contemporaneous English genre painters, Spain's Francisco de Goya, the German Romantics Philipp Otto Runge and Caspar David Friedrich, and the emergence of a national Italian art. Heavily illustrated, this volume is an invaluable social history of modern art during the Napoleonic era. Stimulating and informative, this volume will become a valuable resource for faculty and undergraduates.—R. W. Liscombe, Choice

Doodle Invasion


Author : Zifflin
language : en
Publisher: CreateSpace
Release Date : 2013-10-17


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The ultimate doodle coloring book. This big sized coloring book is a challenge for all ages. If you are a fanatic doodler and obsessed with filling in and coloring doodles then this is definitely for you. Or you can just admire the detailed art. The book is filled with 50 unique and extremely detailed work of art by the master of doodles Kerby Rosanes.

Asia Pacific Triennial Of Contemporary Art


Author :
language : en
Publisher:
Release Date : 2006


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The Fear Of Invasion


Author : David G. Morgan-Owen
language : en
Publisher: Oxford University Press
Release Date : 2017-07-13


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The Fear of Invasion presents a new interpretation of British preparation for War before 1914. It argues that protecting the British Isles from invasion was the foundation upon which all other plans for the defence of the Empire were built up. Home defence determined the amount of resources available for other tasks and the relative focus of the Army and Navy, as both played an important role in preventing an invasion. As politicians were reluctant to prepare for offensive British participation in a future war, home defence became the means by which the government contributed to an ill-defined British 'grand' strategy. The Royal Navy formed the backbone of British defensive preparations. However, after 1905 the Navy came to view the threat of a German invasion of the British Isles as a far more credible threat than is commonly realised. As the Army became more closely associated with operations in France, the Navy thus devoted an ever-greater amount of time and effort to safeguarding the vulnerable east coast. In this manner preventing an invasion came to exert a 'very insidious' effect on the Navy by the outbreak of War in 1914. This book explains how and why this came to pass, and what it can tell us about the role of government in forming strategy.

The Fourth Dimension And Non Euclidean Geometry In Modern Art


Author : Linda Dalrymple Henderson
language : en
Publisher: Mit Press
Release Date : 2013


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In this groundbreaking study, first published in 1983 and unavailable for over a decade, Linda Dalrymple Henderson demonstrates that two concepts of space beyond immediate perception -- the curved spaces of non-Euclidean geometry and, most important, a higher, fourth dimension of space -- were central to the development of modern art. The possibility of a spatial fourth dimension suggested that our world might be merely a shadow or section of a higher dimensional existence. That iconoclastic idea encouraged radical innovation by a variety of early twentieth-century artists, ranging from French Cubists, Italian Futurists, and Marcel Duchamp, to Max Weber, Kazimir Malevich, and the artists of De Stijl and Surrealism. In an extensive new Reintroduction, Henderson surveys the impact of interest in higher dimensions of space in art and culture from the 1950s to 2000. Although largely eclipsed by relativity theory beginning in the 1920s, the spatial fourth dimension experienced a resurgence during the later 1950s and 1960s. In a remarkable turn of events, it has returned as an important theme in contemporary culture in the wake of the emergence in the 1980s of both string theory in physics (with its ten- or eleven-dimensional universes) and computer graphics. Henderson demonstrates the importance of this new conception of space for figures ranging from Buckminster Fuller, Robert Smithson, and the Park Place Gallery group in the 1960s to Tony Robbin and digital architect Marcos Novak.

Understanding Modern Art


Author : David R Beasley
language : en
Publisher: David Beasley
Release Date : 1999-01-01


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150 p., 154 illus. 74 in color, Soft cover. ISBN 0-915317-10-9 $10 “This eminently readable, vivid account of the American artist, Clay Edgar Spohn (1898-1977) provides numerous revelations about modern art, isms, and art institutions.... By 1948 Abstract Expressionism became a recognized "School" and Marcel Duchamp's anti-art was being transcended by Spohn's Assemblage-art, and ‘Discovered Objects.’... This portrait mirrors again the fate of artists who "follow their own direction" without compromise to the establishment of the day or the market, and present a challenge to contemporary society,” Maria Maryniak. “... Spohn’s, The Ballet of the Elements (front cover). San Francisco art critic Tom Albright described this painting exhibited with the best works of West Coast painters, “...with its stripe-like allusions to landscape under a ‘sky’ of fluid, shorthand squiggles, is altogether unique in this context (i.e. the projection still of the fervor, the desperation, the iconoclasm and ethical commitment etc. that went into them) and perhaps for that reason stands out as the exhibition’s most monumental single masterpiece."