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The Culture Of Capital


Author : Janet Wolff
language : en
Publisher: Manchester University Press
Release Date : 1988-01-01


Download The Culture Of Capital written by Janet Wolff and has been published by Manchester University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988-01-01 with Art and society categories.




Among The Lowest Of The Dead


Author : David Von Drehle
language : en
Publisher: University of Michigan Press
Release Date : 2006


Download Among The Lowest Of The Dead written by David Von Drehle and has been published by University of Michigan Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Social Science categories.


A study of the human side of the death penalty shares portraits of survivors of murder victims awaiting justice, lawyers on both sides of cases, judges who pronounce sentences, governors who sign death warrants, and, above all, the condemned.

The Culture Of Capital


Author : Henry Turner
language : en
Publisher: Routledge
Release Date : 2014-04-08


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Leading literary critics and historians reassess one of the defining features of early modern England -the idea of "capital." The collection reevaluates the different aspects of the concept amidst the profound changes of the period.

The Culture Of Capital


Author :
language : en
Publisher:
Release Date : 2008


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From award-winning playwright Nicky Allt comes this provocative fictional account of life in the city dubbed European Capital of Culture for 2008. The Culture of Capital tells the story of Michael Mac and puts forward the need, skill, and entitlement of native Liverpool people in the basic running and future building of their city. With his marriage in serious trouble and monumental change taking place all around him, Michael Mac feels his whole existence is being ignored to the point where eventual extinction seems unavoidable. The story of contemporary Liverpool becomes entwined with Mac’s own personal confrontation with a local drug dealer who, along with Michael’s wife, view him as a fool of his own making. With the face of the city changing as dramatically as it ever has in his lifetime Michael sees no way forward, and worse, no way out.

The Cultural Lives Of Capital Punishment


Author : Austin Sarat
language : en
Publisher: Stanford University Press
Release Date : 2005-05-27


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How does the way we think and feel about the world around us affect the existence and administration of the death penalty? What role does capital punishment play in defining our political and cultural identity? After centuries during which capital punishment was a normal and self-evident part of criminal punishment, it has now taken on a life of its own in various arenas far beyond the limits of the penal sphere. In this volume, the authors argue that in order to understand the death penalty, we need to know more about the "cultural lives"—past and present—of the state’s ultimate sanction. They undertake this “cultural voyage” comparatively—examining the dynamics of the death penalty in Mexico, the United States, Poland, Kyrgyzstan, India, Israel, Palestine, Japan, China, Singapore, and South Korea—arguing that we need to look beyond the United States to see how capital punishment “lives” or “dies” in the rest of the world, how images of state killing are produced and consumed elsewhere, and how they are reflected, back and forth, in the emerging international judicial and political discourse on the penalty of death and its abolition. Contributors: Sangmin Bae Christian Boulanger Julia Eckert Agata Fijalkowski Evi Girling Virgil K.Y. Ho David T. Johnson Botagoz Kassymbekova Shai Lavi Jürgen Martschukat Alfred Oehlers Judith Randle Judith Mendelsohn Rood Austin Sarat Patrick Timmons Nicole Tarulevicz Louise Tyler

Cultural Capital


Author : Robert Hewison
language : en
Publisher: Verso Books
Release Date : 2014-11-11


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Britain began the twenty-first century convinced of its creativity. Throughout the New Labour era, the visual and performing arts, museums and galleries, were ceaselessly promoted as a stimulus to national economic revival, a post-industrial revolution where spending on culture would solve everything, from national decline to crime. Tony Blair heralded it a “golden age.” Yet despite huge investment, the audience for the arts remained a privileged minority. So what went wrong? In Cultural Capital, leading historian Robert Hewison gives an in-depth account of how creative Britain lost its way. From Cool Britannia and the Millennium Dome to the Olympics and beyond, he shows how culture became a commodity, and how target-obsessed managerialism stifled creativity. In response to the failures of New Labour and the austerity measures of the Coalition government, Hewison argues for a new relationship between politics and the arts. From the Trade Paperback edition.

Capital Culture


Author : Neil Harris
language : en
Publisher: University of Chicago Press
Release Date : 2013-09-30


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American art museums flourished in the late twentieth century, and the impresario leading much of this growth was J. Carter Brown, director of the National Gallery of Art in Washington, DC, from 1969 to 1992. Along with S. Dillon Ripley, who served as Smithsonian secretary for much of this time, Brown reinvented the museum experience in ways that had important consequences for the cultural life of Washington and its visitors as well as for American museums in general. In Capital Culture, distinguished historian Neil Harris provides a wide-ranging look at Brown’s achievement and the growth of museum culture during this crucial period. Harris combines his in-depth knowledge of American history and culture with extensive archival research, and he has interviewed dozens of key players to reveal how Brown’s showmanship transformed the National Gallery. At the time of the Cold War, Washington itself was growing into a global destination, with Brown as its devoted booster. Harris describes Brown’s major role in the birth of blockbuster exhibitions, such as the King Tut show of the late 1970s and the National Gallery’s immensely successful Treasure Houses of Britain, which helped inspire similarly popular exhibitions around the country. He recounts Brown’s role in creating the award-winning East Building by architect I. M. Pei and the subsequent renovation of the West building. Harris also explores the politics of exhibition planning, describing Brown's courtship of corporate leaders, politicians, and international dignitaries. In this monumental book Harris brings to life this dynamic era and exposes the creation of Brown's impressive but costly legacy, one that changed the face of American museums forever.