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The Sensory World Of Italian Renaissance Art


Author : François Quiviger
language : en
Publisher: Reaktion Books
Release Date : 2010-06-15


Download The Sensory World Of Italian Renaissance Art written by François Quiviger and has been published by Reaktion Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-06-15 with Art categories.


During the Renaissance, new ideas progressed alongside new ways of communicating them, and nowhere is this more visible than in the art of this period. In The Sensory World of Italian Renaissance Art, François Quiviger explores the ways in which the senses began to take on a new significance in the art of the sixteenth century. The book discusses the presence and function of sensation in Renaissance ideas and practices, investigating their link to mental imagery—namely, how Renaissance artists made touch, sound, and scent palpable to the minds of their audience. Quiviger points to the shifts in ideas and theories of representation, which were evolving throughout the sixteenth century, and explains how this shaped early modern notions of art, spectatorship, and artistic creation. Featuring many beautiful images by artists such as Dürer, Leonardo da Vinci, Titian, Pontormo, Michelangelo, and Brueghel, The Sensory World of Renaissance Art presents a comprehensive study of Renaissance theories of art in the context of the actual works they influenced. Beautifully illustrated and extensively researched, it will appeal to students and scholars of art history.

Faith Gender And The Senses In Italian Renaissance And Baroque Art


Author : ErinE. Benay
language : en
Publisher: Routledge
Release Date : 2017-07-05


Download Faith Gender And The Senses In Italian Renaissance And Baroque Art written by ErinE. Benay and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.


Taking the Noli me tangere and Doubting Thomas episodes as a focal point, this study examines how visual representations of two of the most compelling and related Christian stories engaged with changing devotional and cultural ideals in Renaissance and Baroque Italy. This book reconsiders depictions of the ambiguous encounter of Mary Magdalene and Christ in the garden (John 20:11-19, known as the Noli me tangere) and that of Christ?s post-Resurrection appearance to Thomas (John 20:24-29, the Doubting Thomas) as manifestations of complex theological and art theoretical milieus. By focusing on key artistic monuments of the Italian Renaissance and Baroque periods, the authors demonstrate a relationship between the rise of skeptical philosophy and empirical science, and the efficacy of the senses in the construction of belief. Further, the authors elucidate the differing representational strategies employed by artists to depict touch, and the ways in which these strategies were shaped by gender, social class, and educational level. Indeed, over time St. Thomas became an increasingly public--and therefore masculine--symbol of devotional verification, juridical inquiry, and empirical investigation, while St. Mary Magdalene provided a more private model for pious women, celebrating, mostly behind closed doors, the privileged and active participation of women in the faith. The authors rely on primary source material--paintings, sculptures, religious tracts, hagiography, popular sermons, and new documentary evidence. By reuniting their visual examples with important, often little-known textual sources, the authors reveal a complex relationship between visual imagery, the senses, contemporary attitudes toward gender, and the shaping of belief. Further, they add greater nuance to our understanding of the relationship between popular piety and the visual culture of the period.

Images Of Sex And Desire In Renaissance Art And Modern Historiography


Author : Angeliki Pollali
language : en
Publisher: Routledge
Release Date : 2017-12-06


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Studies on gender and sexuality have proliferated in the last decades, covering a wide spectrum of disciplines. This collection of essays offers a metanarrative of sexuality as it has been recently embedded in the art historical discourse of the European Renaissance. It revisits ‘canonical’ forms of visual culture, such as painting, sculpture and a number of emblematic manuscripts. The contributors focus on one image—either actual or thematic—and examine it against its historiographic assumptions. Through the use of interdisciplinary approaches, the essays propose to unmask the ideology(ies) of representation of sexuality and suggest a richer image of the ever-shifting identities of gender. The collection focuses on the Italian Renaissance, but also includes case studies from Germany and France.

Sensible Flesh


Author : Elizabeth D. Harvey
language : en
Publisher: University of Pennsylvania Press
Release Date : 2016-03-18


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This ground-breaking interdisciplinary collection explores the complex, ambiguous, and contradictory sense of touch in early modern culture. If touch is the sense that mediates between the body of the subject and the world, these essays make apparent the frequently disregarded lexicons of tactility that lie behind and beneath early modern discursive constructions of eroticism, knowledge, and art. For the early moderns, touch was the earliest and most fundamental sense. Frequently aligned with bodily pleasure and sensuality, it was suspect; at the same time, it was associated with the authoritative disciplines of science and medicine, and even with religious knowledge and artistic creativity. The unifying impulse of Sensible Flesh is both analytic and recuperative. It attempts to chart the important history of the sense of touch at a pivotal juncture and to understand how tactility has organized knowledge and defined human subjectivity. The contributors examine in theoretically sophisticated ways both the history of the hierarchical ordering of the senses and the philosophical and cultural consequences that derive from it. The essays consider such topics as New World contact, the eroticism of Renaissance architecture, the Enclosure Acts in England, plague, the clitoris and anatomical authority, Pygmalion, and the language of tactility in early modern theater. In exploring the often repudiated or forgotten sense of touch, the essays insistently reveal both the world of sensation that subtends early modern culture and the corporeal foundations of language and subjectivity.

Renaissance Et R Forme


Author :
language : en
Publisher:
Release Date : 2011


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Sources Of Architectural Form


Author : Mark Gelernter
language : en
Publisher: Manchester University Press
Release Date : 1995-06-15


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"Sources of architectural form is a comprehensive and critical history of Western architectural theory from the ancient world to the present day ... Mark Gelernter sets out the major design theories in eight chronological periods, conveying their flavour with contemporary quotations. Each theory is analysed for its strengths and weaknesses. Theories of education are also examined as many theorists from Vitruvius to Gropius included precepts for teaching as integral components of their ideas."--Back cover.

Giotto And The World Of Early Italian Art


Author :
language : en
Publisher:
Release Date : 1998


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