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Writings On Art And Architecture By Anthony Blunt


Author : Carole Cable
language : en
Publisher:
Release Date : 1981


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Art And Architecture In France 1500 1700


Author : Anthony Blunt
language : en
Publisher: Yale University Press
Release Date : 1999


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The sixteenth and seventeenth centuries in France were an epoch of spectacular artistic activity, exemplified by the châteaux of the Loire valley, the palace of Versailles, the paintings of Poussin and Claude, and the sculpture of Coysevox, which echo the political and cultural importance of France and the "Sun King". Anthony Blunt presents major artists and their principal works chronologically, provides an overview of the main projects of the period and of the artistic personalities behind them, and clearly sets the historical context.

Artistic Theory In Italy 1450 1600


Author : Anthony Blunt
language : en
Publisher: Oxford University Press on Demand
Release Date : 1962


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Leonardo da Vinci - Alberti - Michelangelo - Vasari - Social position of the artist - Religious art - Minor writers of the High Renaissance - Later mannerists.

Borromini


Author : Anthony Blunt
language : en
Publisher: Harvard University Press
Release Date : 1979


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Studies the architectural development, styles, and forms of Borromini, noting the importance of geometry and the influence of such masters as Bernini and Michelangelo

Adrian Stokes


Author : Stephen Kite
language : en
Publisher: MHRA
Release Date : 2009


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Adrian Stokes (1902-72) - aesthete, critic, painter and poet - is among the most original and creative writers on art of the twentieth century. He was the author of over twenty critical books and numerous papers: for example, the remarkable series of books published in the 1930s; The Quattro Cento (1932), Stones of Rimini (1934), and Colour and Form (1937) that embraced Mediterranean culture and modernity. His criticism extends the evocative English aesthetic tradition of Walter Pater and John Ruskin into the present, endowed by a stern sensibility to the consolations offered by art and architecture, and the insights that psychoanalysis affords. Indeed, for Stokes architecture provides the entree into art, and this book is the first study to comprehensively examine Stokess theory of art from a specifically architectonic perspective. The volume explores the crucial experiences through which this architectonic awareness evolved; traces the influence upon Stokes of places, texts and personalities, and examines how his theory of art developed and matured. The argument is supported by appropriate illustrations to confirm the evidence that Stokess claim for architecture as mother of the arts carries the deepest experiential and psychological import.

Borromini


Author : Anthony Blunt
language : en
Publisher: Harvard University Press
Release Date : 1979


Download Borromini written by Anthony Blunt and has been published by Harvard University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1979 with Architecture categories.


Studies the architectural development, styles, and forms of Borromini, noting the importance of geometry and the influence of such masters as Bernini and Michelangelo

The Collected Essays And Criticism Volume 3


Author : Clement Greenberg
language : en
Publisher: University of Chicago Press
Release Date : 1995-06-01


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"No American art critic has been more influential than Clement Greenberg. The high priest of 'formalism,' he set in motion an approach to art that has remained prevalent for nearly half a century. . . . In much the same way that Jackson Pollock elevated American painting to international renown, Mr. Greenberg is the first American art critic whose work can be put on the shelf next to Roger Fry, Charles Baudelaire and other great European critics."—Deborah Soloman, New York Times "His work was so much a part of the dynamics of American culture between, roughly, the end of World War II and the mid-Sixties that it can't be ignored. No American art critic has produced a more imposing body of work: arrogant, clear, and forceful, a permanent rebuke to the jargon and obscurantism that bedeviled art criticism in his time and still does now."—Robert Hughes, New York Review of Books